Technical Assessment

Abhorrent

• •

Disturbing

• • •

Acceptable

• • • •

Wholesome

• • • • •

Exemplary

Moral Assessment

+

Poor

+ +

Below average

+ + +

Average

+ + + +

Above average

+ + + + +

Excellent

CINEMA Rating Guide

VA

For viewers of all ages

V13

For viewers age 13 and below with parental guidance

V14

For viewers 14 and above

V18

For mature viewers 18 and above

NP

Not for public viewing

 

Title:

EARTHQUAKE

Running Time: 

90 min

Lead Cast:

Ursula Brooks, Ted McGinley, Jaime Bergman, Duane Davis, Alison Dunbar, Mark Kiely, Mark McClure, Roy Scheider

Director: 

Jean Pellerin

Producer: 

Kenneth Olandt

Screenwriter: 

Jonathan Raymond

Music:

Carter Nielsen

Editor: 

Randy Darrel

Genre:

Disaster-Drama

Cinematography: 

Patrick Rousseau

Distributor:

 

Location: 

Los Angeles, California

Technical Assessment: 

• • •

Moral Assessment: 

+ + ½

CINEMA Rating:  

For viewers 14 and above

 

On April 23rd at 10:27 pm, subway train #7 is jolted by a 7.1 magnitude earthquake, which sends it crashing into the collapsed tunnel. When the train finally stops, maintenance man Dillon (Ted McGinley) runs to help its four survivors. They free themselves from the wreckage but are not really free from danger. To save the much lauded subway system, the authorities seal the tunnel, shut down the ventilators, trapping all five of them. While transit authority Marshall (Roy Schneider) tries his best to guide the group to safety, the deputy mayor equally strives for the group to stay put lest they discover his long guarded scam. Racing against time, the five frantic survivors must find a way up and out to escape the rapidly inrushing floods and sudden fires, on top of repeated aftershocks.

Timely as the current onslaught of tragedies and calamities, Earthquakeushers back the disaster-film genre of the 70's. The dramatic special effects of fiercely spurting waters thundering into the tunnel, fires sprouting from all over, and the frantic attempts to escape all these where the protagonists are blocked every which way, are realistically portrayed and photographed. The plot is good and the acting adequate. The lead cast are interesting characters with intriguing histories of trauma. There is the recently abused nurse (Ursula Brooks), intelligent but hurt and suspicious of all men, the specially gifted but misunderstood Newton and the two quarreling lovers, attractive Susie and the overly jealous Griffin. How these troubled souls cope with the crisis keeps the viewer in suspense, guessing how many, if ever, will truly survive to the end.  

When people are forced together in the face of horror and terror, these can bring out the best or the worst in them. And leaders will somehow emerge. They may be good leaders like Dillon who thinks and acts in terms of the group's welfare, and bad ones like Griffin—a self-centered loudmouth overriding everybody else's opinion but not really contributing any good. Similarly, there are two authority figures both facing the same huge transit problem: the good Marshall who shows care and concern for everyone, and the corrupt deputy mayor who, with all his grandstanding, is not shown being punished enough. People the world all over have had their share of earthquakes and other calamities, triggering the fear that the end of the world has come or is near. Reactions vary but most everyone learns to pray for the nonce, then forgets about it until the next catastrophe.

 

(Date reviewed: December 14, 2001)

 

HOMEABOUT USNEWSPROGRAMSDOCUMENTSMOVIE REVIEWSARCHIVES
RATINGSCALENDARPHOTO GALLERYCONTACT USPRIVACY POLICY | LINKS