Technical Assessment

Abhorrent

• •

Disturbing

• • •

Acceptable

• • • •

Wholesome

• • • • •

Exemplary

Moral Assessment

+

Poor

+ +

Below average

+ + +

Average

+ + + +

Above average

+ + + + +

Excellent

CINEMA Rating Guide

VA

For viewers of all ages

V13

For viewers ages 13 and below with parental guidance

V14

For viewers 14 and above

V18

For mature viewers 18 and above

NP

Not for public viewing

 

Title:

OOOPS, TEKA LANG... DISKARTE KO 'TO!

Running Time: 

110 min

Lead Cast:

Robin Padilla, Claudine Barretto

Director: 

Jose Carreon

Producers:

Elma Nadua, Lizette Flamiano

Screenwriters:

Ricardo Lee, Mel del Rosario

Music:

Jaime Fabreagas

Editor: 

Orlando Vinarao

Genre:

Action/Love story

Cinematography: 

Larry Manda

Distributor:

FLT Films International

Location: 

Tarlac

Technical Assessment: 

• • •

Moral Assessment: 

+ + +

CINEMA Rating:  

For viewers 14 and above

 

Robin Padilla plays Tenyente Dario, a young, principled and good-natured cop caught in a frame-up by his own superior.  He is accused of insubordination and neglect of duty—an outright lie—and the resulting trial judges him unworthy of his job. Dishonorably discharged from the service, and feeling victimized by unscrupulous elements in the police force, he dumps his badge and his uniform to face an uncertain future as a civilian. He floats jobless and makes himself useful to his community by putting neighborhood bullies in place. Then he meets Marian (Claudine Barretto), a religious novice seeking the expertise of an investigator to shed light on kidnapping of her sister. After much resistance he accepts job, and here begins a new chapter in his life.

Ooops, Teka Lang… Diskarte Ko 'To is a movie for people who don't like to think about the movies they're watching. All they probably care about when they go to the movies is to watch the screen, be bombarded by the sounds, be amused by their film idols, and munch popcorn as they slouch in their chairs for two hours in airconditioned comfort. Truth to tell, there could be numerous such moviegoers in our midst, judging from the audience's cheering over the Ooops, Teka Lang… actors' antics, and its marketers' guts in showing the movie simultaneously in 100 theaters. The film has practically nothing to offer as an art form. It does follow a storyline but greatly lacks technical polish. If a movie could experience an identity crisis, Ooooops,teka lang… is it. It doesn't know what to make of itself. It is too violent to be a comedy, too spoofy to be a drama, too stagey to represent reality, too gimmicky to be taken seriously, and too contrived to succeed as art.

Would anyone in the family want to see it? Perhaps if they're fans of Padilla or Barretto. But while CINEMA acknowledges the movie's attempt to make sense by underscoring the value of prayer, CINEMA also cautions viewers against taking as gospel truth the (mis) information Ooops, Teka Lang… conveys. For example, religious vocation is trivialized. In an effort to make the movie entertaining, the novice is made to dance at a disco, sleep between two men in a room, do silly things while wearing religious habit, and blatantly flirt (within hearing distance of nuns) to imply that she has no intention of following her call. The harm such shallowness can do to impressionable minds would need an awful lot of explaining to undo. That, ples the needlessly long scenes depicting violence, limits the Ooops, Teka Lang…'s acceptability according to the CINEMA scale, so that while it may be rated A-14 CINEMA would nonetheless add that there are more worthwhile movies to watch.

 

(Date reviewed: March 23, 2001)

 

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