Technical Assessment

Abhorrent

• •

Disturbing

• • •

Acceptable

• • • •

Wholesome

• • • • •

Exemplary

Moral Assessment

+

Poor

+ +

Below average

+ + +

Average

+ + + +

Above average

+ + + + +

Excellent

CINEMA Rating Guide

VA

For viewers of all ages

V13

For viewers ages 13 and below with parental guidance

V14

For viewers 14 and above

V18

For mature viewers 18 and above

NP

Not for public viewing

 

Title:

SA HULING PAGHIHINTAY

Running Time: 

109 min

Lead Cast:

Rica Peralejo, Bernard Palanca, Mark Gils, Pinky Amador

Director: 

Erik Matti

Producer: 

Vic del Rosario Jr.

Screenwriter: 

Mark Querubin

Music:

Toto Gentica

Editor: 

Vito Capili

Genre:

Drama

Cinematography: 

Larry Manda

Distributor:

Viva Films

Location: 

Laguna-UP Los Baños

Technical Assessment: 

• • •

Moral Assessment: 

+ +

CINEMA Rating:  

For mature viewers 18 and above

 

Pagtatagpong di makakalimutan, pag-iibigang dimapapantayan, pag-asang di bibitiwanhanggang…goes the tagline for Erik Matti's recent opus Sa Huling Paghihintay.

Erik (Bernard Palanca) meets Geri (Rica Peralejo) during a victory party on the beach. Attraction later leads to lovemaking near the beach but the morrow finds Geri gone. They meet two years later in a campus in Manila and the old flame is reignited, only for Erik to find out that Geri already has a boyfriend. Erik turns his frustration to Ruffa (Jacki Forster) and eventually sires a son with her. Erik and his 4-year-old son return to the province where he discovers Geri on the eve of her wedding day. Still very much in love with each other, Erik convinces Geri to go with him. Is Erik's waiting finally over?

Matti says Sa Huling Paghihintay is "my Romeo and Juliet without the double suicide at the end." The cinematography is impressive, giving us a glimpse of the tranquil and idyllic life in the countryside; the underwater scenes are also good. But the screenplay fails because the characterization is sketchy and the dialogue weak. This "syrupy romance" as Matti calls it does not make the viewer fall in love as he claims it would. Inserting narrations of some older couples' love story is a good idea, but the implementation falls short of the design. These interruptions are irksome as they disrupt the main story. Even the musical score is wanting.

The movie tries to present the values of honesty, parental care and concern, family life, the sanctity of marriage, being realistic against being overly romantic working hard to fulfill one's dreams, etc. But one questions the kind of love presented here. Sa Huling Paghihintay depicts the blossoming of young love not with the delicacy of innocence and inexperience but by unbridled sexual indulgence, even though the characters are supposed novices. Love is equated with sex, which could lead immature viewers to conclude that one cannot have one without the other. Should sex ever be the gauge of true love? How can you love someone you barely know? Does love give you license to abandon your family for your first flame? If love is reduced to this, then Sa Huling Paghihintay is a film na dapat lang kalimutan, di mapapantayan ang kababawan kaya't huwag mo na lang pag-aksayahan.

 

(Date reviewed: March 30, 2001)

 

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