Moral Assessment

+

Abhorrent

+ +

Disturbing

+ + +

Acceptable

+ + + +

Wholesome

+ + + + +

Exemplary

Technical Assessment

•

Poor

• •

Below average

• • •

Average

• • • •

Above average

• • • • •

Excellent

CINEMA Rating Guide

VA

For viewers of all ages

V13

For viewers age 13 and below with parental guidance

V14

For viewers 14 and above

V18

For mature viewers 18 and above

NP

Not for public viewing

 

 

 

 

Title:

SPY GAME

Running Time: 

126 min

Lead Cast:

Robert Redford, Brad Pitt, Catherine McCormack, Stephen Dillane, Larry Bryggman, Mariane Jean-Baptiste, Matthew Marsh

Director: 

Tony Scott

Producer: 

Armyan Bernstein

Screenwriters:

Michael Frost; Beckner

Music:

Harry Gregson-Williams

Editor: 

Christian Wagner

Genre:

Action/Crime/Drama/Thriller

Cinematography: 

Daniel Mindel

Distributor:

Sky Films International

Location: 

Hongkong, Budapest, London

Technical Assessment: 

• • •

Moral Assessment: 

+ + ½

CINEMA Rating:  

For viewers 14 and above

 

One day before his retirement, veteran CIA officer Nathan Muir (Robert Redford) receives news that his one-time protιgι Tom Bishop (Brad Pitt) is in prison in China on a charge of espionage. As the president is making a visit there for trade negotiations in a week, to try to rescue him would be too risky. Besides, it might create an international incident. The CIA decides to sacrifice Bishop. The CIA head informs Muir of this, adding new information that the charge has been changed and Bishop is going to be executed in 24 hours. The organization's top brass calls Nathan to attend a formal, taped and transcribed inquiry into, purportedly, Tom's CIA activities and the relationship between the former protιgι and his tutor. He decides to cooperate with the intention of buying time to rescue his highly valued CIA agent and friend. Will he give the facts to the inquiry board? Will he succeed in getting his friend out of China?

Nathan's responses to his investigator's questions about events, visualized as flashbacks are effectively interspersed with scenes of his behind-their-back maneuvers to rescue Bishop. Tension increases as the countdown of the 24 hours deadline is regularly flashed on the screen for the audience. Besides, Redford's half-smile and glint-in-the-eye tell the audience that he is up to something, which keeps the CIA suspicious about they don't know exactly what. Both Redford and Pitt give interesting and effective performances, especially the former.

Nathan Muir counteracts the official decision of sacrificing Tom Bishop for the "greater good". To attain his objective he has to resort to subterfuge, half-truths and evasions. But isn't this way of "doing things", and other "necessary actions" part and parcel of undercover and espionage work? To attain, say, "the higher good", "the greater benefit" or simply, justice, it seems the use of "any means" is justifiable. How does the viewer process what is right from wrong, or what is acceptable as last resort measures according to existing standards of ethics? The ability to discern the differences should be a requirement for viewing Spy Game and films of the same nature.

 

(Date reviewed: January 11, 2002)

 

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