Moral Assessment

+

Abhorrent

+ +

Disturbing

+ + +

Acceptable

+ + + +

Wholesome

+ + + + +

Exemplary

Technical Assessment

•

Poor

• •

Below average

• • •

Average

• • • •

Above average

• • • • •

Excellent

CINEMA Rating Guide

VA

For viewers of all ages

V13

For viewers age 13 and below with parental guidance

V14

For viewers 14 and above

V18

For mature viewers 18 and above

NP

Not for public viewing

 

 

 

 

Title:

HIGH CRIMES

Running Time: 

115 min

Lead Cast:

Ashley Judd, Morgan Freeman, James Caviezel, Adam Scott

Director: 

Carl Franklin

Producer: 

Lisa Henson, Kevin Reidy

Screenwriters:

Joseph Finder, Yuri Zeltser

Music:

Graeme Revell

Editor: 

Carole, Kravetz

Genre:

Suspense/Drama

Cinematography: 

Theo van de Sande

Distributor:

20th Century Fox

Location: 

Boston, San Francisco, USA

Technical Assessment: 

• • •

Moral Assessment: 

+ + +

CINEMA Rating:  

For viewers 14 and above

 

Claire Kubik (Ashley Judd), a terrific defense lawyer and her successful contractor husband Tom (Jim Caviezel), live in the plushy San Francisco Bay Area. They are very much in love and are ready to start a family when their idyllic world is shattered as Tom is arrested by the FBI. Claire is shocked to learn that her Tom, under his real name, Ron Chapman, was a marine operative now charged with the killing of nine innocent villagers in El Salvador fifteen years ago, a past life she never knew about. Since a military case means a court martial, it is unexplored territory for the hot-shot civilian attorney. To help her, Claire hires Charles Grimes (Morgan Freeman), once a court-martial superstar lawyer but now an off-and-on alcoholic, earlier disgraced by the military hierarchy. Tom admits he is Ron Chapman and part of the El Salvador operation, but assures Claire that he is innocent and is being framed by the real perpetrators within the top brass. Against formidable orchestrated odds, Claire and Charles relentlessly pursue their defense.

Despite scenes that seem contrived, predictable, and even without logic, High Crimes can still be gripping entertainment for those who love the intricacies and suspense of courtroom drama. The film's tail-end is just too pat and overly-rushing to reach what turns out to be a good twist of an ending. But it is the impressive complementary Judd-Freeman tandem with their delightful screen chemistry that brightens the movie—she, dramatically radiant in her fierce passion to set her husband free and he, the gruff grizzly systematically probing through their limited elusive defense. A perfect foil to the inspired dynamic Judd, Caviezel's performance is colorless and forgettable.

Here is a movie that portrays a wife's unquestioning love for her husband, so strong that she willingly suffers insults, overwhelming obstacles, and even near-death injuries to save him from the death penalty. When incriminating evidences pop up, her loyalty is put to a test. She wavers but emerges loyal to the end. In their pursuit of truth, Claire and Charles develop great bonding, not only as a strong defense team, but also as true-blue friends. Charles is very supportive of Claire in her heartbreaking tragedy, while Claire encourages Charles in his battle with the bottle, enabling him to resurrect his long wasted legal forte. The tandem's persistent determination to get to the bottom of things pays off, and justice does prevail, though not as expected.

 

(Date reviewed: July 12, 2002)

 

HOMEABOUT USNEWSPROGRAMSDOCUMENTSMOVIE REVIEWSARCHIVES
RATINGSCALENDARPHOTO GALLERYCONTACT USPRIVACY POLICY | LINKS