Moral Assessment

+

Abhorrent

+ +

Disturbing

+ + +

Acceptable

+ + + +

Wholesome

+ + + + +

Exemplary

Technical Assessment

Poor

• •

Below average

• • •

Average

• • • •

Above average

• • • • •

Excellent

CINEMA Rating Guide

VA

For viewers of all ages

V13

For viewers age 13 and below with parental guidance

V14

For viewers 14 and above

V18

For mature viewers 18 and above

NP

Not for public viewing

 

 

 

 

Title:

A BEAUTIFUL MIND

Running Time: 

134 min

Lead Cast:

Russelle Crowe, Ed Harris, Jennifer Connelly, Paul Bettany, Christopher Plummer, Judd Hirsch

Director: 

Ron Howard

Producer: 

Todd Hallowell

Screenwriter: 

Sylvia Nasar, Akiva Goldsman

Music:

James Horner

Editors:

Daniel P. Hanley, Mike Hill

Genre:

Drama/Romance

Cinematography: 

Roger Deakins

Distributor:

Universal Pictures

Location: 

USA

Technical Assessment: 

• • • •

Moral Assessment: 

+ + +

CINEMA Rating:  

For viewers 14 and above

 

As a brilliant mathematician and a victim of schizophrenia, John Nash (Russell Crowe) has a mind that is both a blessing and a curse.  The genius's "beautiful mind" at once renders enormous service to humanity and betrays Nash with terrifying delusions.   From 1947 through 1994, the movie strings together episodes in John Nash's life—as a brilliant, quiet, cocky and socially inept Princeton scholar, as a professor who marries his student Alicia (Jennifer Connelly), as an unwilling spy hounded by federal agent Parcher (Ed Harris), as a mental ward psychotic descending into madness and finally, as a graying survivor reemerging from the depths to win the Nobel Prize.       

A Beautiful Mind is based on Sylvia Nasar's 1998 biography of Nobel Prize winner John Forbes Nash Jr., but it is not another biography on film.  The film states before the credits roll, "....The Nobel Prize winner John Forbes Nash Jr. still teaches at Princeton, and walks to campus every day..." but it leaves out facts that would have made Nash more human and vulnerable, like his being a bisexual in his 20s, his having sired his first child by a mistress, Alicia's divorcing him and their subsequent remarriage, etc.  The Nash that comes out of this carefully recrafted biography is a romanticized figure arousing sympathy, an awe-inspiring victim-turned-victor; in short, a hero. But never mind.  One shouldn't expect moviemakers to gamble millions of dollars on an honest portrayal of one man's life, even if he were a genius who has been compared to Darwin, Mendel and Newton.  Let's just look at A Beautiful Mind, the movie, and size up Crowe instead of judging Nash.  Crowe does a superb job of playing this tormented paranoid of a genius: his odd gestures, facial twitches, erratic glances, loping walk and his convulsions under insulin shock therapy all combine to wow the viewer anew with Crowe's acting prowess—especially when you recall the picture of invincibility and immortality the actor projected as the (Oscar-winning) hero in The Gladiator.   Indeed, it is Crowe who carries the movie from beginning to end, ably spurred by fine co-actors. That A Beautiful Mind won the Best Picture in the recent Golden Globe Awards—with Crowe as Best Actor and Connelly as Best Supporting Actress—is saying much about the technical excellence of the film.

Families with older teen children may pick up a thing or two about the power of love and faith in A Beautiful Mind. Mental illness in the movies is usually shown as sensational, pathetic, perverse, laughable or grotesque.  In this movie, mental illness is just a disease that stands in the way of a happy marriage—a cross to bear—but it is the cross that paves the way for the crown, the gore that leads to glory. For those who love and believe that "something extraordinary is possible" even in the darkest hour when they could see a loved one falling apart beyond recognition, that extraordinary something indeed happens: patient love frees the beloved from the clutches of madness and living death until the hoped-for dawn returns.

 

(Date reviewed: March 8, 2002)

 

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