Moral Assessment

+

Abhorrent

+ +

Disturbing

+ + +

Acceptable

+ + + +

Wholesome

+ + + + +

Exemplary

Technical Assessment

Poor

• •

Below average

• • •

Average

• • • •

Above average

• • • • •

Excellent

CINEMA Rating Guide

VA

For viewers of all ages

V13

For viewers age 13 and below with parental guidance

V14

For viewers 14 and above

V18

For mature viewers 18 and above

NP

Not for public viewing

 

Title:

HOUSE OF WAX

Running Time: 

113 mins

Lead Cast:

Elisha Cuthbert, Chad Michael Murray, Brian Van Holt, Paris Hilton, Jared Padalecki, Jon Abrahams, Robert Richard

Director: 

Jaume Serra

Producers:

Joel Silver, Susan Levin, Robert Zemeckis

Screenwriter: 

Chad Hayes, Carey W. Hayes

Music:

John Ottman

Editors:

 

Genre:

Suspense/Horror

Cinematography: 

Stephen F. Windon

Distributor:

Warner Brothers

Location: 

U.S.A.

Technical Assessment: 

• • •

Moral Assessment: 

+ +

CINEMA Rating:  

For mature viewers 18 and above

 

Six friends, Carly (Cuthbert), her boyfriend Wade (Padalecki), her brother Nick (Murray) and his buddy, her best friend Paige (Hilton), her best friend's boyfriend Blake set out to watch the college football championship.  After missing a shortcut, they decide to spend the night in the woods.  The following morning, Wade finds his car tampered with and together with Carly, hitchhikes with a local to find a replacement fan belt in the nearest town, Ambrose.  They meet Bo Sinclair (Van Holt), the gas station's owner, and soon discover they might be the only real persons in the town.

The film has nothing much more to offer story-wise if one has seen the trailers. The story is so predictable and typical of its genre—it can be any other movie where "college friends get trapped in some obscure place where a killer relentlessly hunts them to end in a blood bath".  Save for Cuthbert and Murray, the actors are a little stiff and clinical in their screams of panic and terror.  One weakness of the movie is that it emphasizes the grueling slaughter of the characters, blood spills and dismemberments, and in the process fails to narrate a sound, credible story.  Vincent and Bo are murdering innocent people with no substantial cause, other than the possibility that their maltreatment as children by their own parents may have caused their apparent dementia. The writer should have provided for a basic requirement for their actions:  motivation. But as it is, the viewer is left to supply the missing pieces of this jigsaw puzzle.  What saves this extremely bloody film are the good scoring, imaginative editing, fantastic visual effects and the ingenious cinematography which delivers intense images.

One of the more disturbing things about the film is the characters' moral makeup.  A night out with the boyfriend is an excuse to have sex, commitment is not part of a relationship, an open door naturally invites trespassing and snooping, it is cool to be wild and annoying, etc. An interesting issue that mature audiences may see in the film is sibling relationships—whether they are normal or wounded kids, siblings by nature care for and will protect each other at all costs.  Note the lengths Nick goes to in rescuing his sister from the killers, and the blind dedication which Vincent has for his killer-mastermind brother Bo.

 

(Date Reviewed: 26 May 2005)

 

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