Moral Assessment

+

Abhorrent

+ +

Disturbing

+ + +

Acceptable

+ + + +

Wholesome

+ + + + +

Exemplary

Technical Assessment

Poor

• •

Below average

• • •

Average

• • • •

Above average

• • • • •

Excellent

CINEMA Rating Guide

VA

For viewers of all ages

V13

For viewers age 13 and below with parental guidance

V14

For viewers 14 and above

V18

For mature viewers 18 and above

NP

Not for public viewing

 

Title:

PREMONITION

Running Time: 

120 mins

Lead Cast:

Hiroshi Mikami, Noriko Sakai, Maki Horikita

Director: 

Norio Tsurita

Producers:

Kazuka Hamana, Yusushi Kotani

Screenwriter: 

 

Music:

Kenji Kawai

Editor: 

Hiroshi Sunaga

Genre:

Horror

Cinematography: 

Naoki Kayanao

Distributor:

Tokyo Broadcasting System

Location: 

Tokyo, Japan

Technical Assessment: 

• • • ½

Moral Assessment: 

+ + +

CINEMA Rating:  

For viewers 14 and above

 

Hideki (Hiroshi Mikami), 30; Ayaka (Noriko Sakai), 28; and Nana (Maki Horikita), 5; Satomi are a picture of a happy family returning to Tokyo aboard their car after a weekend of visit with the Grandparents.  Ayaka is asked to stop by a roadside telephone booth by Hideki who needs to e-mail what he's been working at on his laptop.  At the booth, Hideki experiences a premonition:  they would meet an accident resulting in Nana's death.  The premonition is made manifest by an old, torn newspaper page that Hideki finds inside the booth.  In slow motion, he watches the fast breaking tragic event unfold even as he reads the newspaper.  An elaborate story of what happens in the next four years follows.

Japanese films have lately been gaining in quality and sophistication by leaps and bounds. Technically, Premonition could be compared with any Hollywood films.  This is a horror film that exceeds the boundaries of the psychological thriller and science fiction.  The story is tight and comes out clear even as it delves into realms that escapes reason or logic.  The acting, directing and camera works are to the point, competent, concise and editing is almost surgically neat. The music and sound effects heighten the suspense and horror and send the audience shrieking in their seats.

A premonition or foresight of death may be incomprehensible by science, yet it cannot be denied that it does exist, in fact, in all cultures, as testified to by people who have had—or witnessed—first hand experience of it. But instead of trying to prove the validity of premonitions, Premonition tries to resolve the question, "Are we controlled by destiny or do we control our fate?"  We can choose our end though not our fate, it seems to say. The story also brings us to the question of freewill versus pre-destination.  Premonition, which has Japan as its setting,must be viewed in its cultural context.  Our Christian faith would put more emphasis on freewill rather than pre-destination; and death, instead of being a scary event, is seen as a gateway to eternal life.

 

(Date Reviewed: 10 June 2005)

 

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